Sky for a Roof Milly Ristvedt, RCA

Year
2019
Medium
Acrylic on Canvas
Size
48 × 48 inches
121.92 × 121.92 cm
Framed Size
49 × 49 inches
124.46 × 124.46 cm

Comprised of an ethereal band of tangerine orange, turquoise, deep blue, and green, Sky for a Roof is a notable example of Ristvedt's ability to return to an earlier methodology under a new set of conditions. It was painted in front a live audience in a collaborative performance with the baritone saxophonist David Mott. It is a continuation of the time-sensitive wet in wet working method the artist used in paintings from 1975 into the late 1980's. Ristvedt's wet in wet style is action painting, but it is also meditative, immersive, and demands substantial advance preparation. Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe and Roy Kiyooka at the Vancouver School of Art. Ristvedt credits Tanabe with helping her refine her ability to see in first year composition, and Roy Kiyooka as her most important educational influence. Kiyooka introduced Ristvedt to the paintings of contemporary artists such as Kenneth Noland, Frank Stella, and Morris Louis who were working in series. This altered Ristvedt's approach to production in the early years. However, while Ristvedt admires the discipline of seriality she prefers to set her parameters after the fact thus allowing exciting and unexpected changes to reveal themselves through the course of painting. At 24, her work was included in the Centennial Exhibition at the Art Gallery of Ontario and featured at the National Gallery of Canada. She was chosen for prestigious exhibitions in Winnipeg, Paris, and Lausanne. By 1969, Ristvedt was painting large canvases, sharing a studio with Jack Bush, and showing with the Carmen Lamanna Gallery. That same year, Barry Lord observed in Art in America that Ristvedt's paintings were "…more insistent than Bush, more consciously structured than Molinari."

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